He An's practice features prominent monumentality, locality, and vernacularity symbolized by the extensive use of industrial materials including metals, concretes, and neon lights, reflecting the physical and psycho impacts on social agencies engendered by urbanization, industrialization, and global

Prototyping is used as a conceptual strategy for artistic production, iteratively exploring potential dead-ends and breakthroughs–as they would be encountered by amateur archaeologists, citizen scientists, and machines programmed to perform roles of cultural craftsmanship.

胡佳艺的创作，汇集了实验影像、现场行为、空间装置、雕塑、绘画等丰富的作品类型。作品中采用的媒介没有限制，多种多样：铝塑板、水泥、虫卵、毛衣，甚至肉身和刀片，都曾被她化为艺术创作的原材料和多维度、不同层次思考的载体。

He Gong's artistic creation is rooted in his comparative thinking on the social, geopolitical and identity differences between the East and the West in the cross-cultural context.